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ArtRealSize™
ArtRealSize™
About
Bright, explosive bursts fill the space of the dilapidated apartment buildings. A yellow light in a first-story room suggests the presence of a tenant subjected to the bombings. This panel highlights the intense racism that occured when black migrants when moving into white neighborhoods in the North. This panel could be a reference to a Chicago neighborhood that experienced fifty-eight bombings at the homes of blacks between 1917 and 1921 following protests of their white neighbors concerning their residence.
SKU: 64041
Creator: Jacob Lawrence
Date: between 1940 and 1941
Original Medium: Casein tempera on hardboard
Original Size: 18 x 12 in.
Location: The Phillips Collection
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
The Migration Series, Panel no. 51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes.
We Offer High Quality
Custom Framing
We use the highest quality wood in our modern shop to create custom frames, frame your print with precision-cut acid-free mat board, and mount it behind a UV-blocking semi-gloss plexiglass to protect your art from the sun, dust, pollution, heat, and humidity. Then we add finishing touches like a wall hanging mount, wall friendly bumpers and a protective backing.
Location:
Bright, explosive bursts fill the space of the dilapidated apartment buildings. A yellow light in a first-story room suggests the presence of a tenant subjected to the bombings. This panel highlights the intense racism that occured when black migrants when moving into white neighborhoods in the North. This panel could be a reference to a Chicago neighborhood that experienced fifty-eight bombings at the homes of blacks between 1917 and 1921 following protests of their white neighbors concerning their residence.
SKU: 64041
Creator: Jacob Lawrence
Date: between 1940 and 1941
Original Medium: Casein tempera on hardboard
Original Size: 18 x 12 in.
Location: The Phillips Collection
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
Shipping
All orders are printed per order. Prints are shipped approximately 1 to 3 business days after order is placed.
Framed prints are shipped approximately 7-10 business days after order is placed.
Return Policy
Item can be returned within 30 days or if damaged in shipping. For any items damaged in shipping, the shipping box must be retained in order for us to process a refund or exchange. View the full return policy.
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The Migration Series, Panel no. 13: The crops were left to dry and rot. There was no one to tend them.
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Migration panel 22. Another of the social causes of the migrants’ leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation.
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We Offer High Quality
Custom Framing
We use the highest quality wood in our modern shop to create custom frames, frame your print with precision-cut acid-free mat board, and mount it behind a UV-blocking semi-gloss plexiglass to protect your art from the sun, dust, pollution, heat, and humidity. Then we add finishing touches like wall hanging mount, wall friendly bumpers and a protective backing.