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An African American doctor stands over a bedridden patient; his stethoscope in use and his medical bag placed on the nearby bedside table. Doctors, nurses, and lawyers during this time were typically restricted to working solely on behalf of clients of the same race. Large cities with grandiose black populations like Atlanta, New Orleans, Richmond, and Durham enabled people with these professions to form professional networks, lasting, meaningful relationships, and financial success; causing them to grow hesitant towards moving North and taking part in the overall migration. Others, however, saw the migration as an opportunity to expand their business outside of the South.

SKU: 65200
Creator: Jacob Lawrence
Date: 1940-41
Original Medium: Tempera on gesso on composition board
Original Size: 12 x 18 in
Location: Museum of Modern Art, NY
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York

Migration panel 56. Among one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living.

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We Offer High Quality

Custom Framing

We use the highest quality wood in our modern shop to create custom frames, frame your print with precision-cut acid-free mat board, and mount it behind a UV-blocking semi-gloss plexiglass to protect your art from the sun, dust, pollution, heat, and humidity. Then we add finishing touches like a wall hanging mount, wall friendly bumpers and a protective backing.

Migration panel 56. Among one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living.
Details

An African American doctor stands over a bedridden patient; his stethoscope in use and his medical bag placed on the nearby bedside table. Doctors, nurses, and lawyers during this time were typically restricted to working solely on behalf of clients of the same race. Large cities with grandiose black populations like Atlanta, New Orleans, Richmond, and Durham enabled people with these professions to form professional networks, lasting, meaningful relationships, and financial success; causing them to grow hesitant towards moving North and taking part in the overall migration. Others, however, saw the migration as an opportunity to expand their business outside of the South.

SKU: 65200
Creator: Jacob Lawrence
Date: 1940-41
Original Medium: Tempera on gesso on composition board
Original Size: 12 x 18 in
Location: Museum of Modern Art, NY
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York

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Shipping & Returns

Shipping

All orders are printed per order. Prints are shipped approximately 1 to 3 business days after order is placed.

Framed prints are shipped approximately 7-10 business days after order is placed.

Return Policy

Item can be returned within 30 days or if damaged in shipping. For any items damaged in shipping, the shipping box must be retained in order for us to process a refund or exchange. View the full return policy.

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We Offer High Quality

Custom Framing

We use the highest quality wood in our modern shop to create custom frames, frame your print with precision-cut acid-free mat board, and mount it behind a UV-blocking semi-gloss plexiglass to protect your art from the sun, dust, pollution, heat, and humidity. Then we add finishing touches like wall hanging mount, wall friendly bumpers and a protective backing.

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