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Placed against a deep blue background are two figures posed at a table with their heads bowed down in gesture of a prayer of grace. In front of them on the table are two bowls with spoons, standing as the only items on the table. Behind them, there is only one item on the wall: an empty pot hanging on a nail and board rack. This panel stands as a pause in Lawrence’s Migration Series, offering a counter to the fast paced anxiety or excitement of travelers during their journey. Rather, this panel displays the migration as a pursuit of basic human dignity and needs; in this scene, focusing on the extreme poverty faced by African American workers.
SKU: 65207
Creator: Jacob Lawrence
Date: 1940-41
Original Medium: Tempera on gesso on composition board
Original Size: 12 x 18 in
Location: Museum of Modern Art, NY
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
SKU: 65207
Creator: Jacob Lawrence
Date: 1940-41
Original Medium: Tempera on gesso on composition board
Original Size: 12 x 18 in
Location: Museum of Modern Art, NY
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
Migration panel 10. They were very poor.
by: Jacob Lawrence
We Offer High Quality
Custom Framing
We use the highest quality wood in our modern shop to create custom frames, frame your print with precision-cut acid-free matt board, and mount it behind a UV-blocking semi-gloss plexiglass to protect your art from the sun, dust, pollution, heat, and humidity. Then we add finishing touches like wall hanging mount, wall friendly bumpers and a protective backing.
Placed against a deep blue background are two figures posed at a table with their heads bowed down in gesture of a prayer of grace. In front of them on the table are two bowls with spoons, standing as the only items on the table. Behind them, there is only one item on the wall: an empty pot hanging on a nail and board rack. This panel stands as a pause in Lawrence’s Migration Series, offering a counter to the fast paced anxiety or excitement of travelers during their journey. Rather, this panel displays the migration as a pursuit of basic human dignity and needs; in this scene, focusing on the extreme poverty faced by African American workers.
SKU: 65207
Creator: Jacob Lawrence
Date: 1940-41
Original Medium: Tempera on gesso on composition board
Original Size: 12 x 18 in
Location: Museum of Modern Art, NY
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
SKU: 65207
Creator: Jacob Lawrence
Date: 1940-41
Original Medium: Tempera on gesso on composition board
Original Size: 12 x 18 in
Location: Museum of Modern Art, NY
© 2016 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
Shipping
All orders are printed per order. Prints are shipped approximately 3 to 5 business days after order is placed.
Framed prints are shipped approximately 7-10 business days after order is placed.
Return Policy
Item can be returned within 30 days or if damaged in shipping. For any items damaged in shipping, the shipping box must be retained in order for us to process a refund or exchange. View the full return policy.
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We Offer High Quality
Custom Framing
We use the highest quality wood in our modern shop to create custom frames, frame your print with precision-cut acid-free matt board, and mount it behind a UV-blocking semi-gloss plexiglass to protect your art from the sun, dust, pollution, heat, and humidity. Then we add finishing touches like wall hanging mount, wall friendly bumpers and a protective backing.
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Migration panel 28. The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties.
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The Migration Series, Panel no. 45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North.
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The Migration Series, Panel no. 49: They found discrimination in the North. It was a different kind.
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