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This painting is exemplary of Helen Frankenthaler’s love of fluidity and her departure from centered compositions and towards more organic, rounded forms. In the 1960s, she began to experiment with her “soak-stain” technique, inspired by Jason Pollock, by thinning her oil paint with turpentine before applying it directly to a blank canvas. Frankenthaler called areas where the paint met, such as in this painting, “well-ordered collisions.” The painting is named as such because of its similar palette to confections that mix brightly colored flavors.

SKU: 3699
Creator: Helen Frankenthaler
Date: 1966
Original Medium: acrylic on canvas
Original Size: 116 3/4 x 69 in.
Location: Albright-Knox Art Gallery
© 2014 Helen Frankenthaler / Artists Rights Society (ARS), New York

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by: Helen Frankenthaler- Albright-Knox Art Gallery
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We use the highest quality wood in our modern shop to create custom frames, frame your print with precision-cut acid-free mat board, and mount it behind a UV-blocking semi-gloss plexiglass to protect your art from the sun, dust, pollution, heat, and humidity. Then we add finishing touches like a wall hanging mount, wall friendly bumpers and a protective backing.

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Location:
Albright-Knox Art Gallery

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We use the highest quality wood in our modern shop to create custom frames, frame your print with precision-cut acid-free mat board, and mount it behind a UV-blocking semi-gloss plexiglass to protect your art from the sun, dust, pollution, heat, and humidity. Then we add finishing touches like wall hanging mount, wall friendly bumpers and a protective backing.

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