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Photo: David Stover © Virginia Museum of Fine Arts
September 2014
E. Claiborne and Lora Robins Sculpture Garden
The 3½-acre garden includes art, leisurely walkways, water features, stately trees, and flowers. The garden partially covers an innovative 600-car parking deck tucked beneath a terraced, landscaped slope designed for sculpture display. The garden brings part of the museum’s excellent collection and programming outside and provides memorable experiences of public art in a new environment of changing light, climate and seasons.
The VMFA permanent collection includes approximately a dozen large-scale works suitable for outdoor display.
These outdoor works span half a century, from the 1930s to the 1980s. They represent a broad range of movements and styles and include examples by some of the best-known sculptors of the period, such as Henry Moore, Aristide Maillol and Arnaldo Pomodoro.

Virginia Museum of Fine Arts

The Museum was established in 1852, following the enormous success of the Great Exhibition the previous year. Its founding principle was to make works of art available to all, to educate working people and to inspire British designers and manufacturers. Profits from the Exhibition were used to establish the Museum of Manufactures, as it was initially known, and exhibits were purchased to form the basis of its collections.

The Museum moved to its present site in 1857 and was renamed the South Kensington Museum. Its collections expanded rapidly as it set out to acquire the best examples of metalwork, furniture, textiles and all other forms of decorative art from all periods. It also acquired fine art – paintings, drawings, prints and sculpture – in order to tell a more complete history of art and design.

Generous funding and a less competitive art market than today’s meant that the young Museum was able to make many very important acquisitions. The Museum itself also grew, with new buildings being added as and when needed. Many of these buildings, with their iron frames and glass roofs, were intended to be semi-permanent exhibition halls, but they have all survived and are one of the finest groups of Victorian buildings in Britain.

In 1899, Queen Victoria laid the foundation stone of a new building designed to give the Museum a grand façade and main entrance. To mark the occasion, it was renamed the Victoria and Albert Museum, in memory of the enthusiastic support Prince Albert had given to its foundation.

Throughout the 20th century, the collections continued to grow. While expanding its historical collections, the V&A also maintained its acquisition of contemporary objects, starting with a collection of Art Nouveau furniture in 1900.

The Museum’s ceramics, glass, textiles, dress, silver, ironwork, jewellery, furniture, sculpture, paintings, prints and photographs now span the cultures of Europe, North America, Asia and North Africa, and date from ancient times to the present day.

Although the V&A’s collections are international in their scope, they contain many particularly important British works – especially British silver, ceramics, textiles and furniture.

The British collections enable the V&A to explain not just the history of design in the British Isles but also the broader sweep of their cultural history. The British Galleries are designed to give visitors from this country and from around the world a new insight into the history of Britain by bringing us closer to the thoughts and lives of key people in an influential culture.

Photo courtesy of Flickr user Jim https://flic.kr/p/9dDwEX
CC BY-ND 2.0

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Location

200 North Boulevard
Richmond, Virginia
United States

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