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Vasily Kandinsky: Around the Circle

October 8, 2021 - September 5, 2022

Vasily Kandinsky is recognized as a major artistic innovator and painting theorist. In the opening decades of the twentieth century, he was among those who advanced nonrepresentational modes of art-making to lasting effect. The artist’s stylistic evolution in this regard was intimately tied to his sense of place and the communities with which he engaged. Kandinsky gained insight from meaningful intersections with artists, musicians, poets, and other cultural producers, especially those who shared his transnational vision and experimental bent. Uprooted time and again, he adapted with his every relocation across Germany, back to Russia, and eventually to France—all against the backdrop of the sociopolitical upheavals occurring around him.

In this exhibition, Kandinsky’s work unfolds in reverse chronological order, starting with his late-life paintings and proceeding upward along the Guggenheim’s spiral ramp. His was not a fixed path from representation to abstraction, but rather a circular passage traversing persistent themes centered around the pursuit of one dominant ideal: the impulse for spiritual expression. This, what Kandinsky called the artist’s “inner necessity,” remained the guiding principle through the periodic redefinitions of his life and work.

The presentation begins with Kandinsky’s final chapter set in France. The natural sciences and the Surrealist movement, as well as an abiding interest in Russian and Siberian cultural practices and folklore, informed his organic imagery and prompted recurrent themes of renewal and metamorphosis. Paintings from his decade of teaching at the Bauhaus, a progressive German school, manifest Kandinsky’s conviction that art could transform self and society and exemplify the revitalization of his “non-concrete” style following direct contact with the avant-garde in Russia. The final section of the show examines Kandinsky’s earliest paintings, made while he was living around Munich. There he participated in heightened vanguard activity across multiple disciplines, fluidly moving between painting, poetry, and stage composition, for example. In time the artist interrogated the expressive possibilities of color, line, and form.

At every turn Kandinsky responded to his environment and developed new ways to probe the spiritual in art. These paintings, watercolors, and woodcuts drawn from the museum’s extensive Kandinsky collection illuminate the journey of an artist who would not leave behind the precedents of representation or of his own work altogether, even as he explored the transcendent potential of abstract forms.

 

  • 6050

    Accompanied Contrast

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  • Around the Circle

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  • 6001

    Black Lines

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  • Blue Mountain (Der blaue Berg)

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  • 6077

    Blue World

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  • Capricious Forms

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  • 6004

    Composition 8

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  • 6005

    Dominant Curve

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  • Graceful Ascent

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  • Group in Crinolines

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  • Improvisation 28 (second version), 1912

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  • In the Black Square

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  • Landscape near Murnau with a Locomotive

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  • 6122

    Landscape with Rain (Landschaft mit Regen)

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  • Landscape with Red Spots, No. 2

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  • Light Picture

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  • Painting with White Border

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  • Red Oval

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  • 6047

    Several Circles

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  • Sketch for Composition II

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  • Small Pleasures

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  • Striped

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  • Taut Line

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  • 6048

    Upward

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  • Various Actions

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  • Violet-Orange

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  • Watercolor after ‘Painting with White Border (Moscow)’

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  • White Cross

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  • 6082

    Yellow Painting

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