
SEEING DIFFERENTLY – Centennial Exhibition
March 6 - September 12
In 2021, The Phillips Collection, America’s first museum of modern art, celebrates its centennial. The museum opened its doors 100 years ago as a memorial to founder Duncan Phillips’s father, Duncan Clinch Phillips, and brother, James, who died in the 1918 flu epidemic. Recognizing the healing power of art, Phillips sought to share his “living” collection in a welcoming space and to inspire others to find beauty in the artist’s unique way of seeing the world. Building on this founding principle, Seeing Differently: The Phillips Collects for a New Century at once commemorates the museum’s centennial and launches its next vibrant chapter.
Drawn from its growing collection of nearly 6,000 works, Seeing Differently will highlight over 200 works by artists from the 19th century to the present, including paintings, works on paper, prints, photographs, sculptures, quilts, and videos. Spread throughout the entire museum, the exhibition will explore the complexities of our ever-changing world through themes of identity, history, place, and the senses.
Seeing Differently marks the first major celebration of the museum’s permanent collection in over 10 years. Guided by Duncan Phillips’s belief in the universal language of art as a unifying force for social change, the exhibition will present dynamic, engaging juxtapositions that connect artists past and present across national, racial, and gender lines.
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Approaching a City
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April
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As Time Goes By (Blue)
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As Time Goes By (Red)
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Autumn II
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Blue Café
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Blue Devils on Fifth Avenue
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Breeze Rustling Through Fall Flowers
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Carnival
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Dancers at the Barre
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Deer in the Forest I
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Domino Players
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Egg Beater No. 4
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Elena Pavlowski
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Hide and Seek
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Interior with Egyptian Curtain
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Land of Lemons
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Large Dark Red Leaves on White
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Le Petit bras de la Seine à Argenteuil
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Le Public du Salon: Dis donc, not’homme, faut-y…
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Luncheon of the Boating Party
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Melancholy
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Mont Sainte-Victoire
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Moonlit Cove
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Nach Rechts, Nach Links
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Night Baseball
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Red Sun
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Return from School After the Storm
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Seated Woman in Blue
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Sketch I For ‘Painting with White Border (Moscow)’
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Skyscrapers
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Studio, Quai Saint-Michel
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Succession, R. 1055
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The Blue Room
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The Garden at Les Lauves (Le Jardin des Lauves)
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The Mediterranean
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The Migration Series, Panel no. 1: During World War I there was a great migration north by southern African Americans.
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The Migration Series, Panel no. 11: Food had doubled in price because of the war.
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The Migration Series, Panel no. 13: The crops were left to dry and rot. There was no one to tend them.
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The Migration Series, Panel no. 15: There were lynchings.
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The Migration Series, Panel no. 17: Tenant farmers received harsh treatment at the hands of planters.
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The Migration Series, Panel no. 19: There had always been discrimination.
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The Migration Series, Panel no. 21: Families arrived at the station very early. They did not wish to miss their trains north.
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The Migration Series, Panel no. 23: The migration spread.
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The Migration Series, Panel no. 25: They left their homes. Soon some communities were left almost empty.
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The Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them.
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The Migration Series, Panel no. 29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries.
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The Migration Series, Panel no. 3: From every southern town migrants left by the hundreds to travel north.
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The Migration Series, Panel no. 31: The migrants found improved housing when they arrived north.
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The Migration Series, Panel no. 33: Letters from relatives in the North told of the better life there.
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The Migration Series, Panel no. 35: They left the South in great numbers. They arrived in the North in great numbers.
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The Migration Series, Panel no. 37: Many migrants found work in the steel industry.
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The Migration Series, Panel no. 39: Railroad platforms were piled high with luggage.
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The Migration Series, Panel no. 41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy.
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The Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live.
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The Migration Series, Panel no. 45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North.
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The Migration Series, Panel no. 47: As the migrant population grew, good housing became scarce.
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The Migration Series, Panel no. 49: They found discrimination in the North. It was a different kind.
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The Migration Series, Panel no. 5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages.
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The Migration Series, Panel no. 51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes.
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The Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain.
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The Migration Series, Panel no. 55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose.
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The Migration Series, Panel no. 57: The female workers were the last to arrive north.
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The Migration Series, Panel no. 59: In the North they had the freedom to vote.
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The Migration Series, Panel no. 7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery.
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The Migration Series, Panel no. 9: They left because the boll weevil had ravaged the cotton crop.
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The Open Window
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The Repentant St. Peter
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The Repentant St. Peter
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The Seer
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Woman in Profile
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Woman with Green Hat
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