Quality: Every item in our archival print collection is a digital reproduction sourced from the original artwork hanging in the museum. Essentially, there is no way to get a more accurate and representative reproduction of the original art.
All items are published on 300gsm archival cotton rag paper, using the highest quality inksets available today.
Authorized Reproductions: All unframed prints are published with the museum logo watermark in the border. This custom touch proves that the item is a museum authorized reproduction of the original artwork.
A portion of every purchase from 1000Museums goes to support the arts and our partner museums.
STUART DAVIS BIOGRAPHY
Davis, Stuart, 1894–1964, American painter, b. Philadelphia, studied with Robert Henri in New York City. At the age of 19 he did drawings and covers for The Masses and exhibited in the Armory Show. One of the early jazz enthusiasts, Davis is often said to have incorporated its exciting tempos into the vibrant patterns of his paintings. In the 1920s the influence of cubism became apparent in his work. He painted the famous Eggbeater series in an attempt to avoid the depiction of natural objects and instead to create an art of abstract forms and planes. During the 1930s he was active in the Artists' Congress, editing Art Front. Davis was an articulate spokesman for abstract art. Among his canvases in numerous museums are Visa (Mus. of Modern Art, New York City); Colonial Cubism (Walker Art Center, Minneapolis); and Midi (Wadsworth Atheneum, Hartford, Conn.).
